where-we-came-from Our facility began as a DRTV spot editorial, finishing and distribution company that edited hundreds of DRTV spots and distributed tens of thousands of customized commercials. Over the years we've applied the same high level post production finishing to complex corporate productions and our graphics department has grown to produce opens for conferences and trade shows.   Our specialties in post are effects and finishing.  In graphics, our specialties are creating very, very wide screen opens, interstitials and speaker roll in videos.

Edit 1 features a system with Adobe Premiere, After Effects, Davinci Resolve, Avid Symphony and Autodesk Smoke for color, effects and compositing.  Our Mac Pro is fully maxed out with 24TB Raid Drives and USB 3.1 for transfers.  Clients can view the editing process on a 42" color correct production monitor or a 10' projection screen from the comfort of our 'living room' or bar table.  

Edit 2 is a Premiere/Avid/Adobe Suite system for editorial rough cuts and simple finishing.  It also has Audition and  ProTools audio for sweetening and with a sound booth for voice over recordings.

Our Graphics workstations have the full Adobe Creative Suite for 2D and C4D for 3D production with 64TB of NAS raid storage. 

The Insert Stage is 20x40 with 10x20 green screen, sweep table and BHP production equipment.

at the controls

Bob Gingg's extensive post production, color and finishing career began with early music videos and series work in Hollywood (Video Transitions). He then moved onto editing national spots in Santa Monica (Flipside) and San Francisco (Varitel, Flipside, Retina). He's worked with many agencies including: DDB, FCB Worldwide, Goodby Silverstein and Partners, J. Walter Thompson, McCann Erickson, Hal Riney and Partners, Hoffman Lewis and Rapp Collins / BBDO to name a few. Some of the clients that he's edited and finished spots for include: Taco Bell, Bank of America, Netflix, General Mills, Clorox, PineSol, Glad, Mattel, Old Spice, X Games, Yoplait, Anthem Blue Cross, Blue Shield, DirectTV, MLB, and 21st Century Insurance. His corporate work includes post work for Dell, Intuit, Autodesk, Symantec, SAP and Informatica.

Scott Harris has art directed most of our motion graphics work for the past 7 years.  His past experience includes work an Animator at Western Images, The Filmworkers Club and as Creative Director at Visual Arts.
He's art directed our large screen openings for Dell, EMC and Intuit and broadcast spots and web programs for PennyMac.